Alex Morgan takes you behind-the-scenes after winning the World Cup in her new show 'The Equalizer' here. Beverly DAngelo, Alex Hassell, Alexis Louder: United States: Holiday action thriller: Where the Crawdads Sing: Olivia Newman: Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, David. However, the ball played ahead by van Egmond turned out to be one of the passes of the year. Alex Morgans new show 'The Equalizer' Its been a wild week for U.S. Morgan Freeman, Ruby Rose: United States: Action thriller: Venom: Let There. Behind-the scenes look at soccer superstar Alex Morgan and her fellow teammates who are paving the way for generations of female athletes who will follow. soccer star Alex Morgan, is available now on ESPN+, the leading sports streaming service. The series premiered on Mon on ESPN and Home Sweet Home (S01E04) last aired on Fri Aug 02, 2019. There are also three Wave players across the middle of the park who are entirely unmarked. The first two episodes of The Equalizer, a new four-part series featuring U.S. Alex Morgan: The Equalizer is a 15 minute documentary-mini-series-sport. Current players are mostly passive here and as you can see, the two players closest to the ball are easily beaten by the pass without applying any real pressure. of particular importance because it SOCCER TEAM shows young women and girls. Below, van Egmond has just gotten rid of the ball on what was her third touch. Alex, a 22 - year - old phenom, has impressed Ows patients and families to. The next pass goes from McNabb to van Egmond, and that is where the Current start to get into a little bit of trouble. They are sitting on a lead by stationing players behind the ball, not trying to win it through pressure. At this point, there is only one Current player in the picture and McNabb has tons of space. The show is about 10-year-old quadruplets and their sibling rivalries. The Wave goalkeeper surveyed her options, eventually playing out to Kristen McNabb. United States women’s national team and Portland Thorns FC forward Alex Morgan will appear on the Nickelodeon show Nicky, Ricky, Dicky & Dawn on Saturday night at 8:30 p.m. Alex Morgan: The Equalizer Behind-the-scenes look at Alex Morgan and her fellow teammates who are paving the way for the generations of female athletes who will follow their lead. See Alex Morgan full list of movies and tv shows from their career. On the Paramount+ broadcast, Maura Sheridan said: “You can see all of the red kits surrounding Alex Morgan.” If the Wave were going to equalize, finding Morgan open for a tap-in did not seem to be the likely path.įollowing that clearance, the ball was played back to Naomi Girma, who gave it to Kailen Sheridan. Alex Morgan: The Equalizer (TV Series 2019-2019) The Movie Database (TMDB) Behind-the-scenes look at Alex Morgan and her fellow teammates who are paving the way for the generations of female athletes who will follow their lead. Behind-the-scenes look at Alex Morgan and her fellow teammates who are paving the way for the generations of female athletes. Watch on 2 different screens at the same time. Stream the latest episode of Alex Morgan: The Equalizer on Watch ESPN. Watch on your favorite devices, including TV, laptop, phone, or tablet. Most new episodes the day after they air. Alex Morgan: The Equalizer Score: 9. A pair of Current defenders had Morgan flanked and easily won the ball. Streaming Library with tons of TV episodes and movies. The game, which had a tribute to the late Pelé at the start, went straight to penalties where Tamires and Brazil captain Rafaelle - who hit the crossbar - failed to score for the visitors.In the 89th minute of the San Diego Wave’s 2-2 draw in Kansas City on Saturday, Emily van Egmond drove a ball into the box intended for Alex Morgan. While Earps was able to stop an initial attempt from substitute Adriana, she fumbled the save and the ball landed at the feet of Andressa who made no mistake as she fired in the equalizer. Geyse threatened again, this time firing a rocket that Earps just managed to tip away.
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For information regarding expungements, please refer to Ohio Revised Code 2953.38. Fees for records in other forms will follow the County Fee Schedule. For information regarding Sealing of a Record, please review the eligibility requirements and refer to Ohio Revised Code 2953.31 - 2953.36. Meet the Recorder Public Records Search Below is a link to our new Cloud Search website. Fee Schedule: CopiesĪ "photocopy" is either a single-sided copy or one side of a double-sided black and white copy of a standard 8.5" x 11" page: $0.25 per page Postage Feesįees for postage may not exceed the actual cost of mailing. Reasonable costs incurred in providing public access to records may be charged Pa.R.J.A.509(D)(1). These records cover murders, rapes, burglaries, arson, motor vehicle theft, assaults, and crimes of a sexual nature. Are there fees associated with open records? 315 South Main Street Ottawa, KS 66067 Phone: (785) 229-1200 Franklin County Criminal Records Franklin County records their criminal activity in the form of criminal records. The form from the Pennsylvania Office of Open Records will also be accepted. Yes, a standard Open Records request form is available on this webpage. The request must be sufficiently “specific” to allow the public body to identify what you are seeking. However, this resource provides only limited access to reports filed by the Columbus Division of Police. You can make a request four ways: mail, fax, e-mail or in person. Open Records Request Forms shall be submitted to the Official Custodian, Fiscal Court Clerk, 321 West Main Street, Frankfort, Kentucky 40601 during regular. Retrieve an Offense Report You can find reports one of three ways, by report number, victims last name or by location. The Chambersburg Police Department received a report for a. The clock starts the day after the request is received during regular business hours. Building safer communities through collaboration within Franklin County. An Agency has five business days to respond in writing and: 1) grant the request 2) deny the request (citing the legal basis for denial/partial denial) or 3) invoke a 30-day extension for certain reasons. Nonetheless, to the envy of its competitors, Illumination’s movies have cost about half of what is lavished on Pixar and DWA projects. It was that talent, not the prospect of lower salaries, that led Illumination to France, says Meledandri, noting that the fringe benefits employers pay in France are much higher than those in the U.S., currency issues come into play, and travel budgets also can affect costs. (Universal bought Mac Guff’s animation studio in 2011, rechristening it Illumination Mac Guff.) “France,” says Meledandri, “has a wonderful tradition of animation with some excellent animation schools.” and France, where there was a ready pool of CG animators, eventually striking a partnership with the existing Paris-based animation and visual effects house Mac Guff Ligne to make Despicable Me. And when he began setting up an animation facility - deciding that the competition for digital artists in the States simply was too great - he turned to the U.K. True to his global perspective, when Illumination opened its doors, Meledandri’s spent his first week in Tokyo meeting with directors and studios. Quick update: Right now, Meledandri says, “my role is to help Universal and DreamWorks chart the way forward in every way that I can” but his main focus, he insists, remains on Illumination: “I’m trying not to fall into any of the pitfalls out there that could disrupt what has been a very organic evolution for this company.” Meledandri’s own stock has risen so high that Comcast’s $3.8 billion acquisition of DreamWorks Animation immediately triggered speculation that Universal would ask Meledandri to oversee DWA in addition to Illumination. For this run of success, he is THR‘s Animation Producer of the Year. Just nine years later, Illumination - the brand is co-owned by Meledandri and Universal, which fully finances and owns the films - has released six movies that have grossed nearly $4.1 billion worldwide it has created a franchise in Despicable Me, which in turn spawned the company’s mascots, the jabbering yellow, pill-shaped Minions and it opens its latest film, Sing, packed with 65 nonstop pop songs (accounting for 15 percent of the film’s $75 million budget), on Dec. And I also began to realize the value of having senior leadership on a film that is made up of people from different cultures, not simply to have those cultures represented but to keep pushing the visual storytelling into the mix so as you work your way through the journey of a film, the process is balanced between words and images.” So I began to think about the fact that animation is primarily a visual medium, and while story and dialogue are essential to the success of a film, the visual component is equally vital. And as I reflected on the creative process involved and the never-ending series of challenges, I realized the tendency is to use words first as the means of solving a creative problem, but Carlos would always resort to images, and that was clearly the language that he was most confident with. He was fluent in English, but Portuguese was his first language. “Carlos Saldanha, our director on that film, was Brazilian. “I was trying to figure out why it overperformed internationally,” he recalls. Only methods developed by Standing and Fitzgerald take into account the chemical nature of crude oil through use of the Watson characterization factor. Dead oil viscosity correlations are somewhat inaccurate because they fail to take into account the chemical nature of the crude oil. Beal’s method was developed from observations of dead oil viscosity at 100 and 200☏ and has a tendency to underpredict viscosity at high temperature. These tendencies make these methods unsuitable for use in the temperature range associated with pipelines. At temperatures below 75☏, the method of Beggs and Robinson significantly overpredicts viscosity while Standing’s method actually shows a decrease in viscosity. As temperature decreases, viscosity increases. The results illustrate the trend for dead oil viscosity and temperature. 5 provides an annotated list of the most commonly used correlation methods for calculating viscosity. Al-Kafaji et al.‘s method is unsuited for crudes with gravities less than 15☊PI, while Bennison’s method, developed primarily for low API gravity North Sea crudes, is not suited for gravities greater than 30☊PI.įig. 4 show that the method proposed by Standing is not suited for crude oil with gravities less than 28☊PI. 3 and 4 summarize all of the dead oil viscosity correlations described in Tables 2 and 3. Undersaturated oil viscosity is determined as a function of gas saturated oil viscosity and pressure above saturation pressure.įigs. The viscosity of the gas saturated oil is found as a function of dead oil viscosity and solution gas-oil ratio (GOR). Dead or gas-free oil viscosity is determined as a function of crude oil API gravity and temperature. Viscosity calculations for live reservoir oils require a multistep process involving separate correlations for each step of the process. 2 provides the typical shape of reservoir oil viscosity at constant temperature. Above saturation pressure, viscosity increases almost linearly with pressure. The effect of solution gas is to reduce viscosity. Viscosity increases with decreases in crude oil API gravity (assuming a constant Watson characterization factor) and decreases in temperature. In general, viscosity characteristics are predictable. 1 shows the effect of crude oil characterization factor on dead oil viscosity. Clearly, chemical composition, in addition to API gravity, plays a role in the viscosity behavior of crude oil. Table 1 shows an example for a 35° API gravity oil that points out the relationship of viscosity and chemical makeup recalling a characterization factor of 12.5 is reflective of highly paraffinic oils, while a value of 11.0 is indicative of a naphthenic oil. The use of both the API gravity and the Watson characterization factor provides a more complete description of the oil. Typically, oil composition is described by API gravity only. The principal factors affecting viscosity are: Viscosity correlations discussed in this page apply to Newtonian fluids. 4.3 Correlations for undersaturated oilįluids that exhibit viscosity behavior independent of shear rate are described as being Newtonian fluids. Play video poker and multi-hand video poker and receive a 75% Promo use bonus code VIDEO275 to claim bonus. You may play any table game with a 250% bonus! 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If I used the word 'hate' it would probably be the slicer software that I'm forced to use. and they went wifi/adhoc instead of ethernet. #CUBE PRO 3D SYSTEMS DOWNLOAD#īecause I CAN toss an *.STL file at the printer out of the box, it'll build it (specifically the 'free sample files' you can download from them). That is surely one point of praise I can give the crew at 3D systems/Cubify. I did have my first 'rook' built within a few hours of signing the freight receipt. Some problems come with round surfaces most obviously (radius/fillets. don't think I've tried spherical shapes yet). *some layers are also not 'stacked' straight maybe call it as little as 15% but as much as 90%.įeatures - I've made a few that seem to build with the -entire- surface on the inside of the desired contour(making it undersize by layers*layerwidth) *'bow strings'- surfaces that do not adhere to surrounding layers and/or are pulled tight between the start & end of an arc. Honeycomb works when you need both great internal structural strength and optimum flat top surfaces.I don't think those problems are mechanical(?) So then, I think I like the mechanical part of it. Lines mode is appropriate for building parts that do not require internal structural strength.ĭiamonds mode is geared for self-supporting parts that require minimal internal structural strength and lower requirement for flat top surfaces. Cube 3 can print in three different print modes: lines, diamonds and honeycomb. The print modes determine how much plastic is used to make the part, how long it will take to print, and how strong it will be. Of course you can always choose faster printing, at 200 microns, when such detail isn’t necessary. Your printer is also capable of very fine, precise printing at a 70-micron resolution – thinner than a piece of paper. The Cube 3 features an auto-leveling print pad that eliminates the human error possible with manual calibration. Transfer your completed designs to your 3D printer with the provided USB stick or via Wi-Fi from your desktop software. The Cube software works on both Windows and Mac OS X.Īlthough the Cubify software lets you orient, scale, and add supports to your 3D model, it is not a design tool. stl before using Cubify to convert them further into. obj or other file formats, you’ll need to convert them to. cube3 format, which is the only format your Cube will print. The Cubify software is a free download that converts. The printer detects material type automatically based on the cartridge, eliminating the need to change print settings. Instant-load cartridges with non-clog technology and moisture-lock construction preserve the life and quality of the materials. Also included are 25 free designs and a USB stick to help you start printing right out of the box.ģD Systems redesigned their filament cartridges expressly for the Cube 3. The fully-assembled Cube 3 comes with two PLA cartridges, typically neon green and white, but colors may vary. When printing with ABS, ensure adequate ventilation, as the oil-based plastic gives off fumes when melted. The Cube 3 Printer is recommended for children 8+ and meets IEC Home Printer Certification 60953 (TUV). cube3 format, transfer it onto the included USB stick and insert directly into your Cube, or send it wirelessly via Wi-Fi from your desktop or smartphone. After the Cubify software converts your design to. stl file for compatibility with the Cubify software. Cube 3 cartridges come in over 20 colors, which can be blended in several hundred combinations when using the dual-jet capability.ĭesign your model in virtually any CAD software, and convert it to an. Design models up to 6 x 6 x 6″ in volume, and the Cube 3 will build them by melting plastic in thin sheets, depositing layer upon layer until they form a three-dimensional object.įilament for the Cube 3 comes in redesigned smart cartridges that detect the type and quantity of material in the cartridge, which prompts the Cube to adjust printing settings accordingly. The grey Cube 3 from 3D Systems is a desktop 3D printer capable of two-color printing in both ABS and PLA plastics, at resolutions as fine as 70 microns. Upon learning that the camp’s owner, Gladys, has absconded with the insurance money, the kids team up to save the camp using funds from their parents’ deep pockets. Season three finds the Ross kids arriving at camp after several cabins were lost to fire. EDT) on Disney Channel and VOD.ĭisney Channel’s live-action comedy BUNK’D follows siblings Emma, Ravi and Zuri Ross as they leave their extravagant New York City penthouse once again to return to Camp Kikiwaka, a rustic summer camp in Maine. New episodes from season two of Stuck in the Middle will premiere weekly on Fridays beginning September 15 (8:30-9:00 p.m. The third season will continue to emphasize the importance of STEM by highlighting Harley’s inventions in every story. Set in a suburb of Massachusetts, the series will continue to follow Harley as the heart of the Diaz family, navigating the ups and downs of changing family dynamics. It also stars Isaak Presley as Ethan, Ronni Hawk as Rachel, Kayla Maisonet as Georgie, Nicolas Bechtel as Lewie, Malachi Barton as “Beast,” Ariana Greenblatt as Daphne, Cerina Vincent as Suzy and Joe Nieves as Tom. Disney Channel and Disney XD has renewed Stuck in the Middle, BUNK’D, and Walk the Prank. Production on each will resume in the fall.ĭisney Channel’s single-camera comedy Stuck in the Middle stars Jenna Ortega as a middle child, Harley Diaz, in a household bustling with nine people – two parents and seven kids – each with distinctive personalities and conflicting schedules. Ods listing close MS-Word and Adobe Acrobat Output To stop writing to a file ("destination") you close it. (See the Details, below, to get a more useful version of text output.) ods listing file="u:\example.lst" gpath="u:\" Here, the file option includes the directory (rather than using path), and we again have a gpath option for graphics files. To save this as a text file, use ODS listing output. To save our PROC MEANS would be ods html file="example.html" path="U:\" gpath="U:\example" And the gpath options determines where graphs are saved (by default, they are saved in the path location). The path option specifies where to save that file. The file or body option specifies the name of the file to save. There are three basic options to be aware of: - file or body - path - gpath You can automate saving your HTML output with an ODS HTML statement ("ODS" is an acronym for Output Delivery System). In addition to the HTML file containing your tables and text, a folder with the same name as your file will have each of your graphs saved as a. Click File - Save As, browse to a location, specify a file name, and then pick the "Webpage, complete" file type. If your results include graphs, as is very often the case, you can still save everything via the SAS interface. You save everything in the Results Viewer. Click File - Save As, browse to a location, specify a file name, and pick one of the "Webpage" file types. If your results consist purely of tables and text, you can use the SAS interface to re-save this file in a more obvious and convenient location. NOTE: PROCEDURE MEANS used (Total process time): NOTE: There were 19 observations read from the data set SASHELP.CLASS. NOTE: Writing HTML Body file: sashtml.htm The Log tells you these results are in a file, but it is coy about the file's location. As you work in SAS, the ordinary statistical tables and graphs output by your SAS procedures is displayed in the Results Viewer and stored in a temporary HTML file. |
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